HevyDevy Diary

Eviga intaview8

Objectively seen, DORNENREICH connects above all the public with the Metal - scene, since the music of the last albums has little awfully with that, what outsiders would define as "Black Metal". If one sees "Black Metal" however not only as musically limited genre name but includes mood and statement into the judgment, the total looks once again different. Would you still define DORNENREICH as Black Metal?

DORNENREICH is an existentialistische band, that can stand also for Black Metal, in my perception.

In its extensive nature imagery, its itself far, far stretching out longing, its deep mysticism, for its individual intensity

and passion and in its uncompromising realization, one“In Luft geritzt” as Black Metal mark, this in the spirit a certain relationship to bands like KVIST, EMPYIRUM and ULVER shows.

You feel it [Black] Metal - scene in this respect connected that still yourself [Black] Metal hears, and if yes: For which style directions / bands can excite you?

Yes, I feel deeper it interconnected, which for example me some moments of KVIST, ULVER, GEHENNA, SATYRICON and EMPEROR mediate that it touches essential in me and rouses, although I certain bond, ensembles and separate artists unt parted of likest genres as well as styles estimates.

To good last still two questions to the private man Jochen Stock: I suspect that DORNENREICH earns as hobby, life's work and occupation in the one very deep part in your life and consequently a bulk of your time of claim. Is there a life for you outside the band, or a few Eviga always and everywhere are in Jochen Stock?

Yes, my life is geared for DORNENREICH to the largest part because of which it also is so important for me, with DORNENREICH something authentic and, to mediate Existentialistisches, that finds me out more deeply the life, as well as shows.

Yes, there is a life outside the band althought however, one must say at the moment sooner that it is with the band a life since conscious and subconscious incentive offers everything experienced and experienced again in conclusion around for the wide field of my artistic activity to DORNENREICH.

To the luck, I have a wonderful companion to the side, that around much understanding and own enthusiasm for a life and with DORNENREICH finds.

Is " musicians " [D] a dream job?

It is much more than this, it is my passion. Whether I will be able to also still sacrifice me to this to the same extent in some years, will appear.

Morg

Autor: Moritz Grütz [Morg] | 17.05.2008 | 17:40 Uhr

最後の質問で、インタビュアーが結構、核心突いた質問してますが、
さら〜っとEVIGAさんかわしてますのが興味深々ですた。
ブラックメタルだと今でも思いますか？みたいな質問とかでは、existentialistische　ってドイツ語で言ってますが、なんのことかわからず、、、憶測するに〜ありのまま、みたいなことですか？ん〜
ブラックメタルシーンにいたこともあって、基本は変わらず、だけども個性的で情熱的であり、ミスティックで大自然に根差したもので、、、と、つづけてますが、

バンド名もあげて答えてますね。へ〜〜〜（＾ｖ＾）
KVIST, EMPYIRUM and ULVER, KVISTってしらなんだ〜さっそく検索しにいってみよお〜
KVIST, ULVER, GEHENNA, SATYRICON and EMPEROR　とまたあげてますが、、、へ〜〜SatyriconとかEMPERORとか意外だったなあ〜〜〜〜　GEHENNA　ってしりません。；；；え〜ん、こわいよこわいよこ

インタビュアーさらに突いた質問しますが、ドキドキしちゃったお。
DorenenreichでのEVIGAと本名のJochen Stockでは、自分の中で使いわけてますか、みたいな内容の問いですが、EVIGAはいつもの日常で常におりますか、それとも少しだけ、いるって感じですか？みたいにきいてますね。おいおい）ｗ
答えていわく、想像するに、DORNENRICHというのは大部分を占めていて、本物であり、ショウで見せるようにいつでも自分の中にあるものだから、みたいなことゆってます（たぶん
突っ込んでインタビュア〜想像するに、Durch Den Traumが約してThrough the Dreamであることにかけて、ミュージシャンとしてのＤはドリームのＤですか？って聞いちゃってますが、いや、それ以上、もしくは俺の情熱そのものだよ、みたいにいうてます。（＾ω＾） 萌　すべてをかけちゃうよ、みたいな。
萌）

きもくてごめんなさい。

マシーンを使って、最新インタビューをななめ読みして解読する試み、、でした。では。

ＫＶＩＳＴってこれのことですかね？すでに解散。ノルウェイですか？へ〜

Eviga intaview 3

The limited version of the album contains a Bonus-CD, on which finding the entire album as instrumental version is. I can imagine some such one with many bands as interesting experience since the songs are moved into another light so and develop a quite new character. However, I see this differently in the case of DORNENREICH: In my opinion, sound and text form a solid alliance, that can become split not without losses, with DORNENREICH. Especially since the chant precipitates so minimally here and whether its style's the effect of the music hardly "fake", the peculiarity is and with it the intensity of the new experience with the instrumental version probably rather restricted. How did you get the idea, and you promise something to yourself from it?

I understand your objection and admittedly make similar thoughts for me in the advance. My perception after, however, vocal expression attracts the inclined listener's attention in every dosage to itself and us it seemed attractively on the basis of the extensive pictorial ness of the music“In Luft geritzt” also as completely free instrumental version to realize, that influence a listener in conclusion differently, as the version with voice.

Eviga intview 2

However, the chant was received separately, do I assume? yes, the voices became after the instrumental receptions in the P.O.T.C. - picked up studio close to Innsbruck.

To be verses like "Drang zu sein, - Furcht zu werden", or "Mein Kahn ohne Segel schweift ziellos umher" seems for itself to deal with raggedness, a certain Orientierungslosigkeit as well as inner unrest and restlessness - this topic is as lyric concept for "In Luft geritzt"

The lines quoted by you rewrite the rest and restlessness of a seeker, yes. Finally experiences rest and restlessness however a deep Einbettung in the further course of the texts in its lookup into the total as well as extensive the being. The lyric concept from"In Luft geritzt” consciously consist thoughts, experiences and instincts, that play a weighty role in each human individual's life, of it, archaic as well as elementary feeling conditions, to live through in order to like about the source of the being and, to lign* up.

The pictorial, that nevertheless remains mystic in its statement in certain degree, is characteristic for DORNENREICH-Texte. It is moreover conspicuous on this album that the texts are extremely trimmed on conciseness and brevity. What persuaded you to let the texts be canceled so minimalist this time? Do you write the texts for you, without thoughts at the Rezipienten, or do Du write the texts so that the people think about it?

The pictures, gestures and feelings in the music from" In Luft geritzt” is so strong and clear that only intensifies words and voice further, can work, my I. Therefore, I, feelings and situations tried to condense in few words in order to give as much as possible free area to the total expression and the inclined listener's individual Wahrnehumung

However, also lines as well as verses, that hit for standing statements and bring on the point at the essence of the album, like born about the beginning of" Dem Wind geboren”:"Erde und Wasser kleiden mich / Trage Feuer hier inmitten / Doch dem Wind bin ich geboren

[ earth and water dresses me / stretcher fires here amid / however the wind is I born / never and nowhere is lost”.]

straight in the framework from" In Luft geritzt” however, my first claim at my texts is that I use words in order to order out with them far over this in the end, which are sagbar in words.

For" In Luft geritzt” I wrote the texts renewed to the pictures and sensations, that the music in me beschwor. I therefore feel the authentic expression at itself primarily indebted and not the reception. However, I think that my intuitive and existentialistische approach manner favors a profound reception at an album since I throw as an example into the scale my unmitigated being as human individual.

Interview mit Eviga von Dornenreich

DORNENREICH belong to the exception artists of the Metal-Landschaft already since outset of their career. From Black Metal-Gefilden over Dark Metal-Landschaften until to acoustic spheres, the Austrians have until now versed and place everyone accent once. Mainman Eviga faces the extensive Metalnews-Fragenkatalog...

In the last months completed your numerous concert and with it, also already before the receptions to "In Luft geritzt", songs of the new album present. Did the songs still change on that occasion, or were the songs already at the moment quick?

the basic framework of the pieces was already ready placed, however some details respecting arrangement and essential for the field of the dynamics and the speed developed specifically through the stage experiences, that we could collect with the pieces of the album,.

The mood appeared rather powerfully live to me, courageous and offensive. On the album however, a rather melancholy, from time to time even sad mood often predominates which amazed me initially very much. Is this difference intended?

I thinks, that your impression results predominantly that the more introverted pieces from" In Luft geritzt” it born namely" the wind”," departure”," Flügel in Fels” and" Zauberzeichen- as well as never component of our bygone stage programs was.

Moreover, one admittedly tends to it in the concert situation, piece very present, to present grabbing and often in higher speed, and it goes some mood nuance, that aimed itself in the framework of an album production, live occasionally under has worked out.

You decided to play in the album, because of the momentum, live in Einzeltakes. The concept rose fully in my opinion, however I can imagine, that this type of the reception necessarily is not the simplest, however, it necessitates the full concentration of all the participant. How much Takes did you need in the cut until both were quite content with the result?

This reception process, that itself on live - as well as synchronous receptions without outer rhythm bearings as well as Click-Track concentrated, a big psychic and physical challenge was in fact.

Since we had rented the reception hall in the villa of tramping only for few days, we often worked on the instruments over twelve hours.

The fact that we without Click-Track and live together picked up, meant, that we everything get from ourselves forth and had to become just with each Take of many musical levels, which brought us into the condition in natural way, to give up us to the respective Take of a piece completely.

Differently, we could never ever have achieved both satisfying results for us. The Takezahl varied from piece to piece. Some pieces reach us in few Takes, its whole nature opened other only after twenty to thirty Takes.

DORNENREICH Newsletter 5/2008

うおおおおお〜ん。

DORNENREICH　ニュースレター　Vol.５　届きましたよ。

なんか、以前から告知されてた、初の！ＤＶＤリリースについて。
サマーブリーズ２００７年の映像がいよいよ大詰めだそうです。
（て、遅っ。もっとはやくにおねがいｒｙ）

みんなもたくさん、うつってるよ、ってそんなニュースですか、そ〜なんですか？
それならば、ちと怖いｗ

ま、１０台もカメラ構えてたしねえ〜
しかも、おいら最前列だったし、まさか、おい、おいらのキモィ映像がインクルーでっと
されてね〜だろな。

あと、２００９年のサプライズ、アコーステックショウ、だって。
え〜〜

なにが、サプライズなのを〜？？？

て、Ｇｉｌｖａｎ（Ｍｏｒｉｔｚ氏）がカム・バック、というねた以外になんかあるんですか？

もうすぐ会いに行くからね〜〜まっててね〜（いや、けっして待ってないであろう）

でも、ま、このレターには、まってるよん、とあるからそういうことにしておく。
（自己満足）

Dornenreich Live 2

(english version):

Friends, our very first dvd takes shape! Recently, we saw the cut of our Summerbreeze-Show and we are very pleased with it. We are glad to tell you that many of you will discover themselves on the dvd - the ten cameras recording the show paid off ・
We are still working on the dvd, but we want to let you know by now that this very dvd will be called 哲octurnal Journeys・
Soon we will be able to give you more detailed information concerning the entire content of the dvd.
Furthermore, we will reveal a big surprise for 2009 during our acoustic-tour this fall.
Have a good time until we値l meet each other again on tour!
Life and passion!・

Dornenreich, August 2008

Metal Hammer, Zillo & Prophecy present:

"Carved in air" acoustic-tour 2008

DORNENREICH (A)
DEVON GRAVES (USA)
LEAFBLADE (UK)

25.09.2008 D - Leipzig / Moritzbastei
26.09.2008 D - Osnabr・k / WestWerk (!!! NEW !!!)
27.09.2008 NL - Leeuwarden / Romein
28.09.2008 D - Ottweiler / Middleage-Festival
29.09.2008 B - Vosselaar / Biebob
30.09.2008 D - Oberhausen / Helvete
01.10.2008 D - Frankfurt / Nachtleben
02.10.2008 D - Ingolstadt / Paradox
03.10.2008 D - Piding / Baamhakke
04.10.2008 CH - Uster / Rock City
05.10.2008 A - Dornbirn / ConradSohm