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http://t0.gstatic.com/images?q=tbn:ANd9GcSUuTDmy8A-V1i7osvNZgHSJ8CpTuBOxl-45i9xnnMZ6AHqigIrVgThis is what Jun Eto, a professor of English literature, means when he says that the American Occupation destroyed the continuity of Japanese culture. It is what former Education Minister Fujio means when he calls the occupation period an act of ''racial revenge.'' It is the point of Takeshi Muramatsu, a professor of French literature, when he claims that ''spiritually, the postwar identity crisis is much more serious than the anti-Western allergy of the 1930's and 40's, because our postwar identity was created by foreigners.'' And it is why Nakasone appropriated 20 million yen (about $140,000 at current rates) to build a new Japanology Institute - for now, he said, ''is the time to establish the Japanese identity once again.''
Nakasone, the articulate and dapper former naval officer, has always had a strong following among Yamatoist intellectuals, including Mishima. There are signs of strain in this alliance, however, for Nakasone tries to play contradictory roles: the well-tailored, English-speaking international statesman abroad, and the tough Yamatoist at home. Like President Reagan, Nakasone reflects the anxieties and ambiguities of his intellectual backers, and, like Reagan, he has disappointed many of his more radical supporters by sacrificing idealism for the pragmatism demanded by international statesmanship. Nakasone feels strongly about the Japanology Institute, however. It is led by Prof. Takeshi Umehara, whose peregrinations through European philosophy have led him to conclude that Western civilization is like a disease threatening the modern world. The only cure, he contends, ''is to be found in Oriental culture, especially Japanese culture'' - in short, the Japanese soul. This he traces back to its pristine state, in the Jomon earthenware culture which began about 12,000 years ago, long before Chinese civilization changed the face of Japan. The pristine Jomon spirit, according to Umehara, still exists in its purest state among such minorities as Ainus and Okinawans. (To their intense annoyance, these minorities are often scrutinized by Yamatoist scholars seeking the primitive roots of the Japanese.) ''A re-evaluation of Jomon culture,'' says Umehara, ''is vital, not only for Japan, but for the rest of the world, indeed for the sake of mankind.'' In fact, more mundane reasons also lie behind this ''re-evaluation.'' In a reference to foreign criticism of Japanese trade surpluses, Umehara said that it is ''hard for foreigners to get to the heart of the Japanese identity. . . . Unless we explain to foreigners about our way of thinking, they might get the impression that we keep making gimmicks for profit only.''
http://t3.gstatic.com/images?q=tbn:ANd9GcQHqF7Vo6kn-TntojGV_EO9UQJXR91DLvXERn3BPj0NyebwQr11NQ Umehara's colleagues at the center include the biologist Kinji Imanishi, who claims to have found proof for the unique relationship between nature and the Japanese in their alleged facility to communicate with apes. Another eminent Japanese culture expert at the institute is Shunpei Ueyama, who advanced the theory that chimpanzees, whose natural habitat is nearer Europe, take a rational approach to problems, while Oriental primates prefer something closer to Zen meditation.
http://t0.gstatic.com/images?q=tbn:ANd9GcSo9RcWG_yR--ASq42ZxYvNSDY7VuEUiEAbXAxgqxwsz8no3gilUmehara and his colleagues, known collectively as the Kyoto School, have regular discussions with Prime Minister Nakasone about national identity. Their intellectual heritage goes back to such prewar scholars as the philosopher Kitaro Nishida and the cultural historian Iwao Takayama. (Imagine, if you can, a Munich school of German scholars gathered around Helmut Kohl, inspired by the ideas of Julius Streicher or Alfred Rosenberg.) These highly respected academics propagated a mystical view of the Japanese state, in which the Japanese race congealed around the sacred Emperor into an entity known as the national polity. Individuals were mere extensions of the benevolent imperial will, hence the automatic sense of social harmony, communion with nature and so forth. Or, as Tetsuro Watsuji, a like-minded scholar who was also popular before the war and is often quoted with great approval by Nakasone, put it, ''in Him [ the Emperor ] was expressed the wholeness of the people.'' Nishida, like Umehara 40 years later, believed in exporting this idea: ''A principle for the whole world will be born from our historical spirit; the way of the Emperor must be applied to all countries.'' These theories strongly influenced such wartime leaders as Gen. Hideki Tojo.
http://ecx.images-amazon.com/images/I/51QAMHRVT1L.jpgAlthough these ideas concerned the Japanese soul, few were originally Japanese. Nishida borrowed many of his thoughts from Hegel and Watsuji studied in Germany with Heidegger. Emperor worship, a mystical celebration of pure blood and unique spirituality, were reactions to the confusion wrought by industrial modernization, which, in Japan, meant Westernization. Japanese thinkers in the first half of this century recognized that Germany was struggling with similar problems of cultural and political identity, and they found German Romanticism a congenial source for their ideas; it was both ''modern'' - because it was European - and a justification for using tradition as a sop to national pride. http://t2.gstatic.com/images?q=tbn:ANd9GcQsptRzeRg0lz-36gieQzPhHoNdLDmuZZiFEnMdPCnd4Mu8mIHO8gThe revival of Yamatoism today is partly a product of success. ''After the war we grew up with a negative image of ourselves,'' said Tetsuya Chikushi, senior staff writer and former editor of the liberal weekly Asahi Journal, ''but now that Japan is an economic superpower, masochism has turned to narcissism.'' The Asahi newspaper, particularly its weekly journal, is to the Yamatoists what ''the liberal East Coast press'' is to American neoconservatives. For it is the Asahi, say its opponents, not entirely without reason, that fostered the negative self-image after the war. It is also the Asahi that, almost alone, warns the Japanese about the dangers of Yamatoism. But because these warnings only concern the dangers of militarism, and not of xenophobia or racism, they miss an important point. Yamatoism is fundamentally religious. In one of the many magazines given to analyzing the Japanese soul, Yuji Kishida, a Freudian psychologist, wrote that the Japanese were able to cope with modernization not because their identity was based on firm principles, but because of the illusion that all Japanese are connected by blood. ''Moslems stop being Moslems when they lose their faith in Allah. . . . The Japanese identity is threatened when foreigners are to be assimilated in our midst. . . . The core of this belief is the Emperor, the fact that all Japanese are related by blood to the Emperor . . . as long as we believe that, the Japanese identity won't be threatened.'' Yamatoists share with other fundamentalists, from Jerry Falwell's born-again Christians to Moslem revivalists in Pakistan or Malaysia, a vaguely idealistic rebellion against the modern consumer society and its lack of spiritual values. Lacking a universal religious tradition, Japanese fundamentalists turn inwards toward Yamatoism. To Yamatoists, the world without values is a direct result of, to use a current Japanese buzz word, kokusaika, or internationalization, a concept encouraged by Nakasone himself when he is playing his alternate role of modern statesman. That the Japanese must be more ''international'' - to cope with international competition -has been a cliche for some years. But nobody knows quite how to go about it or quite what it means. Most Japanese love international products - French clothes, British pop music, American ice cream - but are suspicious of international people. Japanese thinkers of the late 19th century coined the slogan Wakon Yosai (Japanese spirit, Western techniques) to describe the state of being modern and still Japanese. This ideal, never realistic, is now hopelessly confused. Just as the craze for Zen among some Japanese hippies in the 60's was imported from California, the recent fashion for things Japanese often mimics the Western taste for Japonaiserie. Thus one finds sushi restaurants in Tokyo called Sushi Baa (sushi bars), with high-tech decor and granite counters - ''just like in L.A.'' The cultural critic Hiroshi Unno calls modern Japanese culture ''Japonesque.'' |

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THE PROPONENTS OF NATIONAL soul are called the Minzokuha, the National Soul School. Minzoku, unlike minshu (masses), or kokumin (national populace), is somewhat akin to the Nazi use of the word Volk. It implies blood purity and spiritual unity. It is the kind of national mysticism that appeals to people who are still deeply anxious about their place in the world, and who, periodically, seek to retreat from modern confusion into the security of the ''monoracial state.'' A Japanese playwright once likened his country to a glass dome, transparent but impenetrable to outsiders. The glass wall is the mystique that envelops the Japanese Volk, or, as the Minzokuha prefers to call it, the Yamato minzoku, after the ancient clan that unified Japan as a kingdom around the fifth century, a period associated with pristine Japanese values.




