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イメージ 1
 
 
 
 
 Melvin McLeod: When someone has such a strong intuitive connection, Buddhism suggests that it¡Çs because of karma, some past connection with the teachings.

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Richard Gere: Well, I¡Çve asked teachers about that—you know, what led me to this? They¡Çd just laugh at me, like I thought there was some decision to it or it was just chance. Well, karma doesn¡Çt work that way. Obviously there¡Çs some very clear and definite connection with the Tibetans or this would not have happened. My life would not have expressed itself this way.

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I think I¡Çve always felt that practice was my real life. I remember when I was just starting to practice meditation—24 years old, trying to come to grips with my life. I was holed up in my shitty little apartment for months at a time, just doing tai chi and doing my best to do sitting practice. I had a very clear feeling that I¡Çd always been in meditation, that I¡Çd never left meditation. That it was a much more substantial reality than what we normally take to be reality. That was very clear to me even then, but it¡Çs taken me this long in my life to bring it out into the world more, through more time practicing, watching my mind, trying to generate bodhicitta.

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イメージ 1
 
 
Melvin McLeod: So many of us were inspired by those books. What did you find in them that appealed to you?

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Richard Gere: They had all the romance of a good novel, so you could really bury yourself in them, but at the same time, they offered the possibility that you could live here and be free at the same time. I hadn¡Çt even considered that as a possibility—I just wanted out—so the idea that you could be here and be out at the same time—emptiness—was revolutionary.

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So the Buddhist path, particularly the Tibetan approach, was obviously drawing me, but the first tradition that I became involved in was Zen. My first teacher was Sasaki Roshi. I remember going out to L.A. for a three day sesshin [Zen meditation program]. I prepared myself by stretching my legs for months and months so I could get through it.

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 I had a kind of magical experience with Sasaki Roshi, a reality experience. I realized, this is work, this is work. It¡Çs not about flying through the air; it¡Çs not about any of the magic or the romance. It¡Çs serious work on your mind. That was an important part of the path for me.

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Sasaki Roshi was incredibly tough and very kind at the same time. I was a total neophyte and didn¡Çt know anything. I was cocky and insecure and fucked up. But within that I was serious about wanting to learn. It got to the point at the end of the sesshin where I wouldn¡Çt even go to the dokusan [interview with the Zen master]. I felt I was so ill-equipped to deal with the koans that they had to drag me in. Finally, it got to where I would just sit there, and I remember him smiling at that point. ¡ÈNow we can start working,¡É he said. There was nothing to say—no bullshit, nothing.

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 Richard Gere: 
My first encounter with Buddhist dharma would be in my early twenties. I think like most young men I was not particularly happy. I don¡Çt know if I was suicidal, but I was pretty unhappy, and I had questions like, ¡ÈWhy anything?¡É Realizing I was probably pushing the edges of my own sanity, I was exploring late-night bookshops reading everything I could, in many different directions. Evans-Wentz¡Çs books on Tibetan Buddhism had an enormous impact on me. I just devoured them.

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