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Feb. 18, 1992
60 minutes

The Matsushita Electric Company is one of the largest corporations in the world, with a controversial history in the US stretching back more than 30 years. Shuichi Kato, a leading social critic in Japan, joins Frontline in an investigation of the conflicts that have surrounded Matsushita in the US and explores some of the larger moral and cultural issues that confront Japan as it expands rapidly abroad.

This is the text from an episode of PBS Frontline about
Matsushita, the Japanese electronics giant. This TV program is
written from a Japanese viewpoint by Shuichi Kato, who narrates the
program.

[Editorial comment by Tom Mathes with help from Louis Leclerc
follows]

This is really an absolutely shocking account of how Japanese
industry organized itself to seek out and conquer several industries
throughout the world via the use of cartels, illegal secret
agreements, discipline and high quality, racism against non Japanese
(ie. American) employees, government coercion, product dumping on
immense scales and intents to avoid using non Japanese suppliers.

This edition of PBS Frontline talks specifically about how the
Japanese company, Matsushita, ascended to become the world's largest
TV maker and a major power in semiconductor and electronics
technology. They talk about the Japanese industrial cartel and how
it successfully destroyed the American TV industry by taking
technology from RCA and others and dumping televisions into the US
market while forbidding entry of U.S. televisions into the Japanese
home market.

Later it discusses the disappointments which resulted when
Matsushita bought the American TV maker Quasar from Motorola. Quasar
was gutted and facts detailing that American workers were treated as
a sub class with a different hierarchy in the company emerged. For
example: jobs for life applied only to Japanese (not Americans, most
of whom were fired when Quasar's technology and production was taken
to Japan), and Japanese workers would get raises and power while
Americans would not.

Mr. Kato also talks about the down side of all of this for ordinary
Japanese people, who are also victims of Japanese corporate
behavior, but in a different way.

The program is a bit slow at first, but quickly gets interesting as
it goes along. Ironically in all of this, George Bush's, utter lack
of vision and understanding of the importance of this problem is
clearly demonstrated near the end of the script.

To understand the script:

The name in [ ] is the person talking and remains so until a new
name in [ ] appears. The words in ( ) explain a bit what they are
showing on the TV at this place in the script.


SCRIPT BEGINS:
-----------------------------------------------------------------

[Shuichi Kato; narrator]
The first time I had met an American was a month after the bombing
of Hiroshima. I was a doctor at the Tokyo University clinic. One day,
an American officer came to visit. He asked me to fly with him to
Hiroshima as part of a U.S.-Japan medical team.

It may seem strange when I tell you that at that time I felt little
anger toward the Americans. My greatest anger was at my own leaders,
if not the Japanese people who had followed them so blindly. The
Americans defeated us and liberated us. In crushing our military,
they gave us back the meaning of our lives. Looking back, it is
clear I underestimated one central fact. I was part of a defeated
country, the dynamic between victor and vanquished had been
set...and it would resurface. This is now my tenth trip to the
United States spanning 30 years and the tension between the two
countries had always been there, though not as overt and as visible
as today.

Today there is bitterness everywhere. Japan's new wealth seems to
cause a crisis of identity for Americans who are hard pressed to
grasp a world in which they may not be number one. But Japan's great
strength has also created a crisis for the Japanese, and this I
believe is not so well understood. Our wealth has brought us all
over the world, and wherever we go, we find ourselves in collision
with our own culture. This, in the broadest sense, is the subject of
discussion of this film.

I was in America at Frontline's invitation, to look a one great
Japanese company in the United States. The film would be a
collaboration, Frontline would investigate, and I would bring my
perspective as a Japanese writer. Ours would be a case study of
Japan's troubled expansion to the outside world.

(news casts...sample newscast of Matsushita's purchase of
MCA/Universal Pictures for $6 billion dollars)

It captured America's attention for a single day, the largest
acquisition ever by a Japanese company. For many Americans, this was
the first time they had ever heard of Matsushita. But with its brand
names Panasonic and National, this company is in fact, the 12th
largest in the world and it has a tangled and bitter history in the
United States, reaching back many years.

Konosuke Matsushita, founder of the Matsushita Electric Company at
the end of World War II. With his company and his country in ruins,
Matsushita made an unlikely promise, Japan would again be a power
among nations he said, this time through peaceful means. The world
was entering the age of electronics. Japan would be a leader in this
field.

[Hajime Karatsu, former executive, Matsushita]
The first time Matsushita went to America was I believe around 1950.
It was a shock for him. He was seeing America in its golden age. He
set out to achieve that kind of prosperity for Japan.

[Shuichi Kato; narrator]
To understand Japan, you must know that it is a tiny string of
islands with almost no natural resources. To thrive in the modern
world, we must export. But for centuries, Japan had almost no
contact with the outside world. We need the outside world, yet it
has been largely alien to us.

[Hiroshi Kohno, writer]
Konosuke Matsushita was a simple man from the country. The needs of
the American people were a mystery to him. He thought about what he
should make. He considered televisions. The US dealers concurred.

[Shuichi Kato; narrator]
Matsushita set his sights on the U.S. TV market. Some 20 years
later, most of the US television industry had disappeared.
Matsushita would be embroiled in legal investigations and his
company would be the largest manufacturer of televisions in the free
world.

(sample RCA commercial is shown)
[Shuichi Kato; narrator]
It seems hard to recall that 30 years ago, the United States
dominated the market for television sets. All across the world,
companies like RCA, GE and Zenith were considered the most
competitive. Japan's market was closed to foreign companies. Unable
to sell their own sets in Japan, RCA and GE licensed their
technology to Japanese manufacturers, including Matsushita.

Frontline's investigation reaches back to 1956. In that year, and
again in 1964, K. Matsushita helped to organize a cartel that
included Sanyo, Toshiba, Hitachi and Sharp. This cartel's history is
known in Japan, but it is mostly Americans who will speak about it
publicly.

[John J. Nevin, former CEO, Zenith]
We know that the Japanese television industry organized what we in
this country would call a cartel as early as 1956 and they were
setting prices for the Japanese market, they were setting the
discounts that the retailers would be permitted to earn, they were
setting the discounts that the wholesalers would be permitted to
earn, they had a fix on the market.

[Shuichi Kato; narrator]
By setting artificially high prices for televisions and other
appliances in Japan, the companies could generate high profits. They
could then use these profits earned at home to undercut foreign
competitors abroad. This kind of price fixing was illegal in America
and Japan.

At the time, no penalties were assessed.

[John J. Nevin, former CEO, Zenith]
In 1956 and again in the early 60's, the Japanese equivalent of
our Federal Trade Commission which was really established by US
authorities after the war twice charged the Japanese industry
with unlawful cartel action. In both instances the Japanese industry
pleaded 'nolo contendere', didn't really deny the charges.

[Shuichi Kato; narrator]
The cartel may have had the tacit support of the Japanese
government, but the manufacturers had to hide their double pricing
system from U.S. authorities. They did this through a plan that
required the collusion of U.S. dealers such as Alexander's and Sears.

[Hiroshi Kohno, writer]
Sales proceeded very smoothly. Matsushita the man is still today
considered the god of sales. He took very good care of the important
dealers in America.

[Shuichi Kato; narrator]
This is how the plan worked. When Japanese manufacturers sent a
television through customs, they would declare an official price,
high enough so that the U.S. Customs would not investigate. The
manufacturers would then offer a secret refund to the U.S. retailer,
often through a Swiss bank account. The U.S. dealers proved
enthusiastic.
(picture shown of a check written by Matsushita to Sears Roebuck)

[Shuichi Kato; narrator, picture of Japanese doing exercise and
other rituals]

This is the face of Japanese corporations that strikes fear in
Americans. 1962, Matsushita celebrates its first shipments of the
year. Secretly, the Japanese manufactures were exporting their goods
at prices far lower than in Japan, and perhaps below the costs of
manufacture. Japan's television industry expanded rapidly.

[John J. Nevin, former CEO, Zenith]
The effect of trying to compete with this dumping of Japanese
television receivers at very low prices in the United States was to
force the American television manufacturers including companies like
General Electric, GTE Sylvania, Ford Motor Company that owned
Philco, Maganavox, to the wall. And one after an other, they
either went through bankruptcy, or were acquired by foreign
competitors.

[Shuichi Kato; narrator]
This price fixing cannot on its own explain one country's failure,
or another's success. It is obvious other economic factors were at
play. The Matsushita Company refused to be interviewed about its
history. But the cartel founded by K. Matsushita met until at least
1977, by which time at least 90% of the U.S. industry was gone.

Konosuke Matsushita was perhaps the most respected industrialist in
Japan, revered as a moral authority. How could he be seen so
differently outside our shores. And why did he devote himself to
this plan.

One of the themes of Japanese life has been a moral double standard.
We protect those within our family or group, and we are often
indifferent to those outside it. In our society, even the Japanese
can be outsiders. But the ultimate outsider is the foreigner. K.
Matsushita believed that business would restore Japan, transform our
country into a paradise on Earth. But for business to prosper, he
and his country needed the outside world. How the rest of the world
would fit into Japan's revival, this has never been clear.

America insists on seeing a world in its own image. Your world view,
in its own way, has been as insular as Japan's. Perhaps it is your
religious past, but America is one of the last countries still to
believe in a holy war. You find energy and purpose when you have an
enemy, and today some Americans would like Japan to fill that role.
But had America been attentive, Matsushita and other Japanese
manufacturers could not have harmed the U.S. industry as they did.
In the 60's and 70's, this country seemed so vast and rich, it could
afford to be careless with its future. Japan was all but ignored.
America's heart and mind were elsewhere, consumed by the cold war,
the holy war of its day.

(an old 60's newsreel on Kennedy's visit to Japan is shown)

When Japanese companies took aim at the U.S. television market, they
faced in many ways, an easy target. U.S. companies had been drawing
large profits from the television business. When challenged, many
firms simply gave up the field in favor of short term profits
elsewhere. In this way, they abandoned not just television, but
related fields such as video recorders, and semiconductors for years
and even decades to come. As for the U.S. government, I think its
actions were negligent. Frontline investigated:

The television dispute became public in 1968, when U.S. producers
charged the Japanese with dumping goods at illegal prices. After a
three year inquiry, the treasury department ruled the Japanese had
been dumping. At the time, no penalties were assessed.

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