東京摺り と 京都摺り （追記、画像）

日本の水性木版画は、浮世絵で世界的に有名だけれど〜

摺りでいうと、東京摺りと京都摺りで少し違いがあります。

東京は浮世絵の伝統、京都は扇子の絵付けの伝統。

浮世絵は基本的に透明水彩を使い、力をいれて摺り、絵の具を和紙に吸い込ませて発色させる。

京都の扇子の絵付けは、不透明水彩を使い、力をあまり入れずに絵の具を和紙の上に乗せるように摺る。

今の器用な摺り師は、版画によって使い分ける。


＊東京の浮世絵は、江戸の粋を表現したもの。

＊京都の扇子の上絵は、京都の”はんなり”を表現したもの。


Although the Japanese water wood-block print is globally famous for ukiyoe.

if it prints, comes out and says, there is a a few difference with the technology which Tokyo

prints, and the technology which Kyoto prints.

Tokyo is the tradition of ukiyoe and Kyoto is the tradition of painting of a fan.

Ukiyoe uses a transparent watercolor painting fundamentally, and puts in and prints power,

it makes Japanese paper inhale paints and they are made to color to it.

Painting of the fan of Kyoto uses an opaque watercolor painting, and it prints it so that

paints may be put on Japanese paper, without seldom putting in power.

The present dexterous printer uses properly with a print.

* The ukiyoe of Tokyo is a thing expressing the essence of Edo.

* The dyed figures on cloth of the fan of Kyoto are the things expressing "Hannari" of Kyoto.