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A satellite broadcasting "viewpoint of the TBS news bird news" of TBS which collected data
on the design of the former Misemonogakkai general meeting and an interview to the chief director
was broadcasted the other day. It is quotation from HP as follows.
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Is it a sucking blood beautiful woman? Is it woman Tarzan? The picture signboard which gives glory
to a cow daughter, the front of the hut. A "snake woman" Omine-tayu of dozens of years can put it
together in doubtful music in the hut in an art career and bites off the neck of the snake and sips
vital blood. Drop the candle which I bundled up in a mouth and blow on a flame from a mouth once again.
I disappear and do go? A Japanese public entertainment. In the hut where the show booth began
in the Edo era, and there were 300 houses in the whole country in the golden age now only as for 2.
I am losing a place the Japanese public entertainment is pushed by overseas artists doing diversification
of the entertainment and showy art, and to perform now. Where is the cause? The Japanese public
entertainment comes to the forked road now.
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"The Misemonogoya (Freakshow,Sideshow)" in Shinjuku Hanazono-jinja Shrine where I went to for coverage in last November. It was provoked by plausible calling in by barking and went to "the Misemonogoya"
for the first time, but was shocked by art to eat art and the snake which played fire from a mouth.
The severe situation that "the Misemonogoya" has only two cases now. Takichi Nishimura talks unless
there is a person doing art as the cause. I had Nishimura show one of the calling in by barking "Aradanka"
in a studio, but listened attentively to a feeling of speed and a Nishimura original tasteful tone
of the speech. When festivals went, triggered by this viewpoint, I want to watch calling in by barking and art slowly and carefully again.